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Edouard Manet
French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.

 

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Edouard Manet La Lecture de l-Illustre oil painting

Painting ID::  34611

X 
 

Edouard Manet
La Lecture de l-Illustre
mk94 1878-79
   
   
     

 

 

Edouard Manet Roses oil painting

Painting ID::  34612

X 
 

Edouard Manet
Roses
mk94 1882
   
   
     

 

 

Edouard Manet La Prune oil painting

Painting ID::  34613

X 
 

Edouard Manet
La Prune
mk94 vers 1877
   
   
     

 

 

Edouard Manet Fruits et Melon sur un Buffet oil painting

Painting ID::  34675

X 
 

Edouard Manet
Fruits et Melon sur un Buffet
mk94 1866
   
   
     

 

 

Edouard Manet In  the Winter Garden oil painting

Painting ID::  38620

X 
 

Edouard Manet
In the Winter Garden
mk138 1878/79 Oil on canvas 115x150cm
   
   
     

 

 

Edouard Manet White Lilac oil painting

Painting ID::  38621

X 
 

Edouard Manet
White Lilac
mk138 c.1882 Oil on canvas 54x42cm
   
   
     

 

 

Edouard Manet The Monet Family in the Garden oil painting

Painting ID::  38803

X 
 

Edouard Manet
The Monet Family in the Garden
mk141 1874 New York
   
   
     

 

 

Edouard Manet Corner of the Garden at Bellevue oil painting

Painting ID::  38809

X 
 

Edouard Manet
Corner of the Garden at Bellevue
mk141 1880 Oil on canvas
   
   
     

 

 

Edouard Manet Music in the Tuileries Gardens oil painting

Painting ID::  38815

X 
 

Edouard Manet
Music in the Tuileries Gardens
mk141 1862 National Gallery,London
   
   
     

 

 

Edouard Manet A Game of Croquet oil painting

Painting ID::  38821

X 
 

Edouard Manet
A Game of Croquet
mk141 1873 Oil on canvas 72.5x106cm
   
   
     

 

 

Edouard Manet The Absinthe  Drinder oil painting

Painting ID::  39463

X 
 

Edouard Manet
The Absinthe Drinder
mk145 1859
   
   
     

 

 

Edouard Manet Odalisque oil painting

Painting ID::  40092

X 
 

Edouard Manet
Odalisque
mk155 between 1862 and 1866 Watercolor Indian ink gouach highlights 13x20cm
   
   
     

 

 

Edouard Manet The Absinthe Drinker oil painting

Painting ID::  40717

X 
 

Edouard Manet
The Absinthe Drinker
mk156 1858-59 Oil on canvas 180.5x105.6cm
   
   
     

 

 

Edouard Manet Olympia oil painting

Painting ID::  40723

X 
 

Edouard Manet
Olympia
mk156 1863 Oil on canvas 71x98cm
   
   
     

 

 

Edouard Manet Luncheon on the Grass oil painting

Painting ID::  40726

X 
 

Edouard Manet
Luncheon on the Grass
mk156 1863 Oil on canvas 208x264cm
   
   
     

 

 

Edouard Manet A Bar at the Follies-Bergere oil painting

Painting ID::  40779

X 
 

Edouard Manet
A Bar at the Follies-Bergere
mk156 1882 Oil on canvas 96x130cm
   
   
     

 

 

Edouard Manet Boating oil painting

Painting ID::  41308

X 
 

Edouard Manet
Boating
mk161 Oil on canvas 38x51cm
   
   
     

 

 

Edouard Manet Reading oil painting

Painting ID::  41545

X 
 

Edouard Manet
Reading
mk164 1865-73 Musee d-Orsay
   
   
     

 

 

Edouard Manet Dejeuner sur I-herbe oil painting

Painting ID::  42767

X 
 

Edouard Manet
Dejeuner sur I-herbe
MK169 1863 Cloth 214x279cm
   
   
     

 

 

Edouard Manet The execution of Emperor Maximiliaan oil painting

Painting ID::  42768

X 
 

Edouard Manet
The execution of Emperor Maximiliaan
MK169 1867 oil Paint on cloth 252x305cm
   
   
     

 

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Edouard Manet
French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.